Are These Photos Russia or America? You’ll Probably Guess Wrong!
Seamus Murphy’s project Strange Love challenges the distinctions between America and Russia, showing how daily life on both sides of a divided world can appear strikingly similar.
Background and Inspiration
Murphy began photographing America in 2005, initially focused on capturing post-industrial America. His work was inspired by the idea of creating a book to mark the 50th anniversary of Jack Kerouac’s 1957 classic, On the Road. “I sort of missed that by a few years,” he admits with a smile.
Early Life and Influences
Born in the UK in 1959 and raised in Ireland, Murphy's earliest memories were shaped by political events. In 1963 Dublin, he watched President John F. Kennedy’s motorcade from his father’s shoulders. Months later, he recalls his mother crying upon hearing of Kennedy’s assassination.
In 1970, a school lesson on Communist Russia and religious persecution left a lasting impression. Murphy grew up with two contrasting myths: “America, a beacon of freedom that welcomed the Irish, and Russia, a dark power intent on taking over the world.”
Career and Photography
Murphy moved to the United States in 1983, where he learned photography on his own. His photojournalism career later took him to conflict zones such as Afghanistan, Gaza, and Iraq.
“America was a dream we had through TV, films and music,” Murphy reflects.
Artist's Perspective
Strange Love blurs geopolitical lines by focusing on shared human experiences rather than divisions, inviting viewers to reconsider preconceived notions about these two nations.
Summary
Seamus Murphy reveals through his photography that everyday life in America and Russia shares unexpected similarities, challenging deeply rooted myths about these countries.