All Her Fault is a tense psychological thriller that constantly keeps the viewer on edge. The story opens with a chilling nightmare: Marissa, played by Sarah Snook, goes to pick up her son Milo (Duke McCloud) from a playdate. When she calls the host mother, Jenny (Dakota Fanning), Jenny has no idea what she’s talking about. From that moment, the tension only escalates.
Based on Andrea Mara’s novel, the series blends dread and suspense with unpredictable narrative turns. Each moment of blame, panic, or suspicion feels sharp and real. The production deliberately stirs anxiety—it wants you to shout at the screen and doubt every character’s motives.
As Milo disappears, the first of the series’ eight episodes builds pure unease. Marissa’s world unravels as suspicion spreads among her husband Peter (Jake Lacy), other parents, nannies (Kartiah Vergara, Sophia Lillis), relatives (Abby Elliott, Daniel Monks), and a business partner (Jay Ellis). Each person seems guilty of something, wrapped in secrets and misdirection.
The show employs flashbacks spanning a decade, slowly revealing fragments of the truth. Yet these glimpses conceal as much as they disclose, creating a storytelling pattern that mirrors a cat-and-mouse game between creators and audience.
“All Her Fault” opens with a nightmare: Marissa arrives at a playdate to pick up her son, but the host mother has no idea who she is.
That uneasy premise defines the tone of the series, blending psychological dread with emotional mystery until the final scene.
A gripping eight-part thriller where every shadow hides suspicion, All Her Fault traps its audience in a maze of deception and fear.